نوع مقاله : مقاله پژوهشی
نویسندگان
1 گروه صنایع دستی، دانشکده صنایع دستی، دانشگاه هنر اصفهان، اصفهان، ایران.
2 هنر اصفهان
3 گروه باستان شناسی دانشکده ادبیات و علوم انسانی دانشگاه شهرکرد، شهرکرد.
چکیده
کلیدواژه‌ها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Bowl-making, like Rasmibandi, Karbandi, Yazdibandi and Muqarnas, is one of the false and decorative for ceiling that are used under the arch in the building. Bowl making consists of a number of Shamses(bowls), Pendants, Pâbâriks and Bergamots. Bowl-making it is very similar to the art of Rasmibandi, with the difference that the number of Shamses in it, is more than one, and between the Shamses, there is a pendant. Bowl-making includes different types that are applicable in different bases and are drawn in certain geometrical ways. The type of bowls is specified in their name, so that the number and type of Shamseh, the context and the number of pendants are mentioned in the name of the bowl. Bowl-making, unlike other arch decorative elements, are suitable for places that do not have a high height. Bowl-making reaches its peak in the Qajar period. Examples of it can be seen in buildings such as Sepah Salar Mosque and School in Tehran, Jame Mosque in Qazvin, Seyyed Mosque in Isfahan, Nasir al-Molk and Moshir al-Molk Mosques in Shiraz. One of the beautiful examples of Bowl-making is in the north porch of Moshir-al-Molk Mosque in Shiraz city, which was built by the order of Mirza Abolhassan Khan Moshir-al Doulah. The northern porch of Moshir al-Molk mosque is also known as the pearl arch and the four-bowl arch. The bowl-making of Moshir mosque are 4 bowls 16 in a square field, which has four shamsehs and a pendant in between. In the real and non-flat space under the arch, the bowl-making structure is such that the eye moves from the outside to the depth points and from the depths to the outside, emphasizing the depth view. Depth view is one of the factors that create visual attraction in the effect. Depth view, which is related to the ability of the human mind to understand depth, is possible with the help of various methods such as perspective. But it seems that in the bowl-making of the Moshir-al-Molk mosque in Shiraz, different methods from perspective have caused an increase in depth. Therefore, research has been proposed that the purpose of doing so is to investigate the methods of increasing depth view in the bowl-making of the mosque of Moshir-al-Molk Shiraz. It seeks to find an answer to the question, that how the methods of increasing depth view were created in the bowl-making of the Moshir Mosque in Shiraz? This research is set in a descriptive-analytical method and aims to be applied. Collection of information in the form of library, document sources and field studies has been done and analysis of information is of a qualitative type.The importance and necessity of dealing with this issue is to know the methods of increasing the depth of view, which are different from the common methods in perspective.The results of the research and analysis of the forms used in the bowl-making structure of Moshir Mosque based on the principles of visual arts show that converging lines, bergamot surfaces, volumes, points, Islamic motifs, khatyi, geometric bergamot and plants and colors with blue and yellow predominance, according to the intelligent composition, have created the bowl-making structure of Moshir Mosque. In addition, the side-view lines that are in the center and around the design and converge, the divisions on these lines that have a reduced size compared to the audience's view, and the lines inside the shamsehs, which are focused from the outside towards the depth points, as they induce depth and movement in the flat space, they also increase the depth and induce movement in the non-flat space. The use of dynamic, directional and similar surfaces creates a sense of depth in a flat space, and in a non-flat space, they increase depth. Converging dynamic levels will also create a sense of movement. The use of dynamic, directional and similar surfaces creates a sense of depth in a flat space, and in a non-flat space, they increase depth. Dynamic surfaces that converge will also create a sense of movement.
Another case is the increase in the depth of the rhythm, which induces depth in the flat space. The rhythm in this structure comes from the repetition of almost similar elements that decrease in size from the outside to the inside. Rhythm also induces movement. Induction of movement in non-flat space also increases depth of view. In this structure, due to the opposition of stillness and movement, static and dynamism, movement has been done slowly. Moving slowly towards the depths offers a view of infinity. Due to the fact that Bowl-making is suitable for places with a low height, the use of measures to increase the depth of view to provide an infinite view in the non-flat space under the arch in the northern porch of Moshir Mosque has been done very intelligently.
کلیدواژه‌ها [English]
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