نوع مقاله : مقاله پژوهشی
عنوان مقاله English
نویسندگان English
The Qajar period art is a half-way art. The art between some things is
going out and some thing is coming in. The Qajar art from one side is
attached and connected to court; the icons are among them. The Qajar
courtier portraits (formal paintings) with emphasis to human figure and
a synthetic style from Iranian traditional elements with an attitude to foreigner
elements, as a formal and fine art, presents a magnificent atmosphere in great oil
painting works. That is the original basis of this investigation. On the other side, it
is caused a kind of art raised from popular groups and usual people that is opposite
point of Qajar formal paintings and we named it, informal popular paintings or
“tea-house” paintings.The main goal of this investigation is proving Iranian special
identity in Qajar formal paintings at the same time it borrows some non-Iranian
element that had started from more previous periods. The most accumulating way
of this investigation is by library, and its means is indexing, translating some valid
texts and using of pictorial documents. A few of Qajar oil painting works and
a few of water-color works by related books
کلیدواژهها English
