نوع مقاله : مقاله پژوهشی
نویسندگان
1 دکتری هنر اسلامی دانشگاه تربیت مدرس
2 استادیار و عضو هیئتعلمی دانشگاه تربیت مدرس
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
The art of the Safavid era and the Ottoman Turkey is one of the most important artistic honors of the Islamic art, including metalwork. Artists of these two periods have created valuable artistic works, among which metal pots are of great beauty. This research was carried out with the aim of comparative study of form and ornamentation in Safavid era metal orchids and Ottoman Turkey with a descriptive-analytical approach and its data collection is in a library and documentary way, and they answered the question of what similarities and differences are between the designs and decorations of the two-period pitcher's inscriptions that shows the different cultural and social ideas. The results show that paying for details and writing inscriptions such as poems and prayers that express the Shiite beliefs and the interest of Iranian artists to poets in the Safavid pits more clearly. At the same time, the Ottoman school motifs are much bigger, often appearing as the role of flowers, and the inscriptions do not represent religious beliefs, but generally include the names of the makers and poems of the poets who devoted it. Moreover, the Ottoman art is influenced by Iranian art of the Safavid period in the use of some motifs.
Considering the application and role of the pitcher in this period, which is commonly used as a drinking pit, most of the designs of flowers, plants are used in both periods, and there are not any kinds of animal and human designs. Ottoman artists often used asymmetric and dynamic combinations in motifs, while the designs used in the Safavid era are often abstract, symmetrical and balanced. The indoctrination of the calmness and rest of the Safavid pits is not only by the use of horizontal lines, which is also created by using symmetric and static combinations, which inevitably leads to a kind of unity in the images, which is believed by the Iranians to the one God On the unity which is the main essence of Islamic art. Another notable detail is the lack of detail in the designs of the Ottoman metal pitcher to the Safavid pots, which is full of details, so that all the surface of the metal dishes of the Safavid era is taken over by the sketches of Islam, as a background for motifs Not defined. It should be noted that the use of gold and silver metal works in the Ottomans was far more than the metal works of Safavid, which indicates the rich source of gold and silver to the Ottomans. While the Safavid pitchers are often made of brass and copper. Also, the inscriptions in the Ottoman pitcher drawings are very limited and according to the studied samples, they have not considered the importance of using it on pits and taps.
کلیدواژهها [English]
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