نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشگاه هنر اسلامی تبریز
2 دانشیار، دانشکده هنرهای صناعی، دانشگاه هنر اسلامی تبریز
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
In Gestalt's psychological approach, the way visual data is organized in the human mind is taken into consideration, and certain principles have been proposed for it, and this process can be explained based on these systematic principles. In the process of studying an image using the principles of visual perception and gestalt psychology, new, important and impressive data can be obtained. Among the visual works, Iranian paintings, especially the paintings of Shahnama of Shah-Tahmasbi, have very diverse and numerous constructional features, which can be helped by the standards in the field of visual perception to correctly understand their nature. The purpose of this research is to discover and accurately identify the subtleties and coordinates of Bazmi paintings of Shahnama of Shah Tahamasbi. In fact, this research has been carried out in order to identify the coordination of the visual centrality of human elements in Bazmi paintings with the selected laws of Gestalt and the application of these laws in the visual characteristics of human elements in the paintings. The research has been done in response to this basic question, which deals with the application of selected Gestalt principles in the visual analysis of the human elements of Bazmi sitting of kings paintings and the coronation of Shahnama Tahmasbi. The research method is descriptive-analytical and the library and document collection method. Sampling of the research in a purposeful way, among the 9 images of sitting and crowning of Shahnama of Tahmasbi, 4 images were selected and qualitatively analyzed with the ten principles of Gestalt. According to the authors' findings, no research has been conducted in the field of analyzing and interpreting the Bazmi images of Shahnama Tahmasbi with a visual perception approach; therefore, presenting the results from this perspective, the most important necessity of the research and discovering the relationship of these perceptual principles with Iranian images, in identifying the different dimensions of these works, are considered to be of importance in this research. The results of the research indicate that the use of Gestalts of the law of similarity in three types of characteristics, the law of proximity of the edge, the law of continuity or continuity, the law of good extension, the law of common fate, the law of Leveling and Sharpening, the law of focal points and the law of symmetry, with their strong applications, have made a significant contribution to the analysis of the visual perception of the images in question. Among the remaining selected rules that have moderate and weak applications, we can consider the law of Figure-Ground with moderate application, the rules of contact proximity, and the law of Closure with weak applications. Among the other laws that were not applicable in the analysis of the visual perception of the mentioned pictures, we can refer to the law of proximity, Overlap and Combining. It can also be said that the visual characteristics of the human elements in all the pictures of the sitting and crowning of the kings are similar to each other based on visual perception, so that in all the pictures, each of the selected rules focuses on the figure of the kings sitting on the throne by creating harmony in the visual centrality of the human elements, and thus the kings are considered the emphasis point of the picture in all the rules. In general, the coherence of selected Gestalt rules in the visual analysis of musical images has formed a whole that directs the audience's focus towards the kings.
کلیدواژهها [English]
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