نوع مقاله : مقاله پژوهشی
عنوان مقاله English
نویسنده English
Horse in pre Islamic and in Myths, religious archaic texts, Shah nameh, historic periods
and remainder works, including very vital and valuable function and always has been
praised . Horse in that period, has had customic, economic, battle, banquet,hunt,
transformational , decorational, ceremonies and etc functions . Also in post Islamic,
point to horse in some verses of Koran, Iranian – Islamic texts and Horse books (Faras
nameh ), expresses good nature and importance of this creature. generally the motif
of horse in Iranian culture and art history, particularly in persian painting, has had
a superior and worthy place. Also in Mahmoud Farshchian,s works horse has been
apparented in different purporstes. But the aspect of discrimination of horse motif in
Farshchian works, in addition to functions of past periods and recreation of works, is
presence of symbolic, psychological and special artistic expression of this valuable
creature. Horse in his Works, is free from every function, profit and aim, and has
shown as sign and symbol of soul, rebel, refinement, freedom , sublimity of soul, and
most profound meanings of secret in human existence that less has been seen in past
works . In this article, at first, place of Horse in historical periods and then in Mahmoud
Farshchian works has studied. Hypothesis of this article is based on emphasizing on
creative view and in particulary express of psychology and Semiology of Horse in
Mahmoud Farshchian works. The theory of research has written based on descriptive
-analysis method and also aim of this article, is the survey about position of Horse and
its artistic expression and decoding of psychological and Semiotic concepts, where has
appeared in various subjects of Farshchian works.
کلیدواژهها English
