نوع مقاله : مقاله پژوهشی
عنوان مقاله English
نویسندگان English
The design and content aspects of Persian Decorative patterns are the valuable
Carriers of Iranian culture secrets. One of the most important motifs which has
always been considerable in Iran and even during religious variations didn’t (theuse
of it has lasted) change, are the Birds and mythological winged creatures that can
be seen in many Iranian crafts especially in textiles. The present research aims to
explain the changes of these textile motifs during Buyid and Seljuk period. Selected
periods contain many case studies and it should be noted that in this era,there aren,t
the effects of foreign art influences especially from China, that changed the tradition
of drawing birds in Persian arts (could not be seen). The Research method was
the visual analysis of designed patterns to evaluate the changes of their shapes and
their composition in the form of textile design Results have shown that during
the Buyid period, motifs have been continued as the Sassanid tradition combined
with the Islamic themes, were more subtlety in pattern design, combination with
background and structure of whole designed textile. The birds’ front view and
various combinations with Life tree motifs should be considered as the inventions
of this era. In fact, the Seljuk period was the persistent and increasing wealth
of artistic tradition of Buyid period. More complex motifs and compositions of
the previous period and combination of front and lateral views of birds are the
significant features of this period.
کلیدواژهها English