Abbasid periodComparative study of bird motifs, worked on ceramics between Iran of Abbasi period and China (9th century) [Volume 11, Issue 38, 2016, Pages 106-118]
Abolhasan HafezianThe Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
Achaemanid PeriodScrutiny on Humanitarian relief of Apadana and three-Doors Palace at Persepolis to Technical and Stylist Asymmetry [Volume 11, Issue 37, 2016, Pages 4-17]
AchaemenianComparative study of hybrid animals in Achaemenian and Assyrian art With focus on reliefs and stamps [Volume 11, Issue 39, 2016, Pages 16-33]
AestheticsReflection of Plotinus’ views on the Aesthetics of Iranian-Islamic Art (with Emphasis on Illustration and Architecture) [Volume 11, Issue 38, 2016, Pages 22-34]
AghtamarEffect of Sasanian Motifs in Carved Decoration of the Aghtamar Holy Cross church [Volume 11, Issue 40, 2016, Pages 108-122]
Amir Sharaf Khan BidlisiThe study of paintings of Amir Sharaf Khan Bidlisi’s Sharafnameh [Volume 11, Issue 38, 2016, Pages 48-60]
AnatoliaThe origin of the motifs on Kubad Abad Palace’s tiles in Turkey with a comparative study of Iranian and Syrian works. [Volume 11, Issue 39, 2016, Pages 46-59]
ArchimboldoA Comparative study of Iranian “Interior Hybrid” paint works and paintings of Mongolian Sultans in India and Archimboldo’s- “Camel and Cameleer, The Camel-riding harper fairy and The Earth’s Portrait” [Volume 11, Issue 37, 2016, Pages 63-71]
ArchitectureReflection of Plotinus’ views on the Aesthetics of Iranian-Islamic Art (with Emphasis on Illustration and Architecture) [Volume 11, Issue 38, 2016, Pages 22-34]
Armenian artEffect of Sasanian Motifs in Carved Decoration of the Aghtamar Holy Cross church [Volume 11, Issue 40, 2016, Pages 108-122]
AssyrianComparative study of hybrid animals in Achaemenian and Assyrian art With focus on reliefs and stamps [Volume 11, Issue 39, 2016, Pages 16-33]
Astan Quds Razavi Carpet CompanyCarpets of flowers Shah Abbas Holy Shrine of Imam Reza (AS) [Volume 11, Issue 38, 2016, Pages 78-90]
B
Batik printComparative study of the Iranian and Indian batik printing motifs [Volume 11, Issue 38, 2016, Pages 90-106]
Beginning Timuried EraStuding of decorative characteristics of Kermanid artists stucco works in Ilkhanid until beginning of the Timurid Era [Volume 11, Issue 37, 2016, Pages 19-31]
C
Committed ArtA Study on the Figurative Sculptures from the Islamic Revolution to the End of the Iran-Iraq War with Regard to the Modernism [Volume 11, Issue 39, 2016, Pages 114-126]
Coordination with the urban environmentA Survey on Harmony of Tehran's mural Color, Form and Theme with the Environment (With the approach of Gestalt psychology) [Volume 11, Issue 37, 2016, Pages 87-101]
Cypress tree symbolComparative Study of the Symbolic Manifestation of the Cypress Tree in Literature and Iranian painting [Volume 11, Issue 40, 2016, Pages 86-99]
D
Decorative CharacteristicsStuding of decorative characteristics of Kermanid artists stucco works in Ilkhanid until beginning of the Timurid Era [Volume 11, Issue 37, 2016, Pages 19-31]
DesignInvestigation of factors affecting the process of design and artistic attitude in the face of the book images processing Qabus-name [Volume 11, Issue 38, 2016, Pages 34-48]
DesignsThe origin of the motifs on Kubad Abad Palace’s tiles in Turkey with a comparative study of Iranian and Syrian works. [Volume 11, Issue 39, 2016, Pages 46-59]
E
EgyptComparative study of book coverse the timurid period and the mamluks of egypt in terms of design and motif [Volume 11, Issue 39, 2016, Pages 76-89]
F
Fereydoun's Court paintingA Comparative Study of Visual Elements of "Jamshid's Court" and " Fereydoun's Court" Paintings in Tahmasp Shahnameh with Emphasis on Compositions of the Paintings [Volume 11, Issue 38, 2016, Pages 60-78]
FigurationA Study on the Figurative Sculptures from the Islamic Revolution to the End of the Iran-Iraq War with Regard to the Modernism [Volume 11, Issue 39, 2016, Pages 114-126]
Figurative paintingInvestigating the variety of figures and human proportions in
Kamal al-din behzad’s paintings [Volume 11, Issue 39, 2016, Pages 90-99]
G
GestaltA Survey on Harmony of Tehran's mural Color, Form and Theme with the Environment (With the approach of Gestalt psychology) [Volume 11, Issue 37, 2016, Pages 87-101]
Golestan PalaceAnalyzing the impact of lithography book a Khosravan images on tiles embossed pictures Golestan Palace Museum [Volume 11, Issue 37, 2016, Pages 73-85]
H
Herat schoolInvestigating the variety of figures and human proportions in
Kamal al-din behzad’s paintings [Volume 11, Issue 39, 2016, Pages 90-99]
History and Culture of KurdistanThe study of paintings of Amir Sharaf Khan Bidlisi’s Sharafnameh [Volume 11, Issue 38, 2016, Pages 48-60]
Holy Cross ChurchEffect of Sasanian Motifs in Carved Decoration of the Aghtamar Holy Cross church [Volume 11, Issue 40, 2016, Pages 108-122]
Humanitarian reliefScrutiny on Humanitarian relief of Apadana and three-Doors Palace at Persepolis to Technical and Stylist Asymmetry [Volume 11, Issue 37, 2016, Pages 4-17]
Human proportionsInvestigating the variety of figures and human proportions in
Kamal al-din behzad’s paintings [Volume 11, Issue 39, 2016, Pages 90-99]
Hybrid animalsComparative study of hybrid animals in Achaemenian and Assyrian art With focus on reliefs and stamps [Volume 11, Issue 39, 2016, Pages 16-33]
HypertextualityComparative Study of the Symbolic Manifestation of the Cypress Tree in Literature and Iranian painting [Volume 11, Issue 40, 2016, Pages 86-99]
I
IconThe Trend of Transformation in Islamic Iconography of Iran; from Transcendental to assimilation Approach [Volume 11, Issue 38, 2016, Pages 4-22]
IlkhanidStuding of decorative characteristics of Kermanid artists stucco works in Ilkhanid until beginning of the Timurid Era [Volume 11, Issue 37, 2016, Pages 19-31]
IllustrationUnderstanding the book illustrations based on relationship between text and picture [Volume 11, Issue 37, 2016, Pages 103-115]
IllustrationReflection of Plotinus’ views on the Aesthetics of Iranian-Islamic Art (with Emphasis on Illustration and Architecture) [Volume 11, Issue 38, 2016, Pages 22-34]
IllustrationsInvestigation of factors affecting the process of design and artistic attitude in the face of the book images processing Qabus-name [Volume 11, Issue 38, 2016, Pages 34-48]
Imam Reza (PBUH) Shrine rugsCarpets of flowers Shah Abbas Holy Shrine of Imam Reza (AS) [Volume 11, Issue 38, 2016, Pages 78-90]
Imam Reza ZarihThe Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
IndiaComparative study of the Iranian and Indian batik printing motifs [Volume 11, Issue 38, 2016, Pages 90-106]
InscriptionThe Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
Interior HybridA Comparative study of Iranian “Interior Hybrid” paint works and paintings of Mongolian Sultans in India and Archimboldo’s- “Camel and Cameleer, The Camel-riding harper fairy and The Earth’s Portrait” [Volume 11, Issue 37, 2016, Pages 63-71]
IntertextualityComparative Study of the Symbolic Manifestation of the Cypress Tree in Literature and Iranian painting [Volume 11, Issue 40, 2016, Pages 86-99]
IranComparative study of the Iranian and Indian batik printing motifs [Volume 11, Issue 38, 2016, Pages 90-106]
Iran ceramicComparative study of bird motifs, worked on ceramics between Iran of Abbasi period and China (9th century) [Volume 11, Issue 38, 2016, Pages 106-118]
Iranian PaintingA Comparative study of Iranian “Interior Hybrid” paint works and paintings of Mongolian Sultans in India and Archimboldo’s- “Camel and Cameleer, The Camel-riding harper fairy and The Earth’s Portrait” [Volume 11, Issue 37, 2016, Pages 63-71]
Islamic ArtReflection of Plotinus’ views on the Aesthetics of Iranian-Islamic Art (with Emphasis on Illustration and Architecture) [Volume 11, Issue 38, 2016, Pages 22-34]
Islamic Revolution of IranA Study on the Figurative Sculptures from the Islamic Revolution to the End of the Iran-Iraq War with Regard to the Modernism [Volume 11, Issue 39, 2016, Pages 114-126]
Jamshid's court PaintingA Comparative Study of Visual Elements of "Jamshid's Court" and " Fereydoun's Court" Paintings in Tahmasp Shahnameh with Emphasis on Compositions of the Paintings [Volume 11, Issue 38, 2016, Pages 60-78]
K
KalaqiComparative study of the Iranian and Indian batik printing motifs [Volume 11, Issue 38, 2016, Pages 90-106]
Kamal al-din behzadInvestigating the variety of figures and human proportions in
Kamal al-din behzad’s paintings [Volume 11, Issue 39, 2016, Pages 90-99]
Kermani artistsStuding of decorative characteristics of Kermanid artists stucco works in Ilkhanid until beginning of the Timurid Era [Volume 11, Issue 37, 2016, Pages 19-31]
KoranPhenomenology of total name of Hosn and its aesthetics aspects [Volume 11, Issue 40, 2016, Pages 64-76]
Kubad Abad palaceThe origin of the motifs on Kubad Abad Palace’s tiles in Turkey with a comparative study of Iranian and Syrian works. [Volume 11, Issue 39, 2016, Pages 46-59]
L
Lotfali ShirazAnalytical and Comparative Study of Bird motifs in Paintings of Flowers and Birds Lotfali Shirazi [Volume 11, Issue 39, 2016, Pages 60-75]
M
MajnunThe Analysis of Blue Color Usage for "Majnun,s" Clothing in Persian Painting of Timurid and Safavid Periyods. [Volume 11, Issue 37, 2016, Pages 49-61]
ModernismA Study on the Figurative Sculptures from the Islamic Revolution to the End of the Iran-Iraq War with Regard to the Modernism [Volume 11, Issue 39, 2016, Pages 114-126]
Mohammad Taghi ZofanThe Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
Mongolian India’s paintingA Comparative study of Iranian “Interior Hybrid” paint works and paintings of Mongolian Sultans in India and Archimboldo’s- “Camel and Cameleer, The Camel-riding harper fairy and The Earth’s Portrait” [Volume 11, Issue 37, 2016, Pages 63-71]
MotifsComparative study of the Iranian and Indian batik printing motifs [Volume 11, Issue 38, 2016, Pages 90-106]
MotifsComparative study of book coverse the timurid period and the mamluks of egypt in terms of design and motif [Volume 11, Issue 39, 2016, Pages 76-89]
Motif StudyIdentification of Common Point of Entrance Massage of Seven Qajar Public Building through Discourse Analysis of Motifs [Volume 11, Issue 37, 2016, Pages 33-47]
P
PaintingA Comparative Study of Visual Elements of "Jamshid's Court" and " Fereydoun's Court" Paintings in Tahmasp Shahnameh with Emphasis on Compositions of the Paintings [Volume 11, Issue 38, 2016, Pages 60-78]
Paintings of SharafnamehThe study of paintings of Amir Sharaf Khan Bidlisi’s Sharafnameh [Volume 11, Issue 38, 2016, Pages 48-60]
PersepolisScrutiny on Humanitarian relief of Apadana and three-Doors Palace at Persepolis to Technical and Stylist Asymmetry [Volume 11, Issue 37, 2016, Pages 4-17]
Persian Iranian paintingComparative Study of the Symbolic Manifestation of the Cypress Tree in Literature and Iranian painting [Volume 11, Issue 40, 2016, Pages 86-99]
Persian miniatureThe Trend of Transformation in Islamic Iconography of Iran; from Transcendental to assimilation Approach [Volume 11, Issue 38, 2016, Pages 4-22]
Persian paintingThe Analysis of Blue Color Usage for "Majnun,s" Clothing in Persian Painting of Timurid and Safavid Periyods. [Volume 11, Issue 37, 2016, Pages 49-61]
Persian paintingInvestigating the variety of figures and human proportions in
Kamal al-din behzad’s paintings [Volume 11, Issue 39, 2016, Pages 90-99]
PlotinusReflection of Plotinus’ views on the Aesthetics of Iranian-Islamic Art (with Emphasis on Illustration and Architecture) [Volume 11, Issue 38, 2016, Pages 22-34]
PoetryComparative Study of the Symbolic Manifestation of the Cypress Tree in Literature and Iranian painting [Volume 11, Issue 40, 2016, Pages 86-99]
Q
Qabus-nameInvestigation of factors affecting the process of design and artistic attitude in the face of the book images processing Qabus-name [Volume 11, Issue 38, 2016, Pages 34-48]
QajarAnalyzing the impact of lithography book a Khosravan images on tiles embossed pictures Golestan Palace Museum [Volume 11, Issue 37, 2016, Pages 73-85]
Qajar PaintingAnalytical and Comparative Study of Bird motifs in Paintings of Flowers and Birds Lotfali Shirazi [Volume 11, Issue 39, 2016, Pages 60-75]
QuranConcepts of Quranic illumination in Savavid period [Volume 11, Issue 40, 2016, Pages 32-49]
Quranic illuminationConcepts of Quranic illumination in Savavid period [Volume 11, Issue 40, 2016, Pages 32-49]
R
RoundelConcepts of Quranic illumination in Savavid period [Volume 11, Issue 40, 2016, Pages 32-49]
Rug/CarpetCarpets of flowers Shah Abbas Holy Shrine of Imam Reza (AS) [Volume 11, Issue 38, 2016, Pages 78-90]
S
SafavidThe Analysis of Blue Color Usage for "Majnun,s" Clothing in Persian Painting of Timurid and Safavid Periyods. [Volume 11, Issue 37, 2016, Pages 49-61]
Safavid periodConcepts of Quranic illumination in Savavid period [Volume 11, Issue 40, 2016, Pages 32-49]
Safavid’s paintingThe study of paintings of Amir Sharaf Khan Bidlisi’s Sharafnameh [Volume 11, Issue 38, 2016, Pages 48-60]
Sassanid patternsEffect of Sasanian Motifs in Carved Decoration of the Aghtamar Holy Cross church [Volume 11, Issue 40, 2016, Pages 108-122]
SculptureA Study on the Figurative Sculptures from the Islamic Revolution to the End of the Iran-Iraq War with Regard to the Modernism [Volume 11, Issue 39, 2016, Pages 114-126]
SculpturesScrutiny on Humanitarian relief of Apadana and three-Doors Palace at Persepolis to Technical and Stylist Asymmetry [Volume 11, Issue 37, 2016, Pages 4-17]
SeljukThe origin of the motifs on Kubad Abad Palace’s tiles in Turkey with a comparative study of Iranian and Syrian works. [Volume 11, Issue 39, 2016, Pages 46-59]
Seven Public Building From Qajar EraIdentification of Common Point of Entrance Massage of Seven Qajar Public Building through Discourse Analysis of Motifs [Volume 11, Issue 37, 2016, Pages 33-47]
Shah Abbasi motifCarpets of flowers Shah Abbas Holy Shrine of Imam Reza (AS) [Volume 11, Issue 38, 2016, Pages 78-90]
SharafnamehThe study of paintings of Amir Sharaf Khan Bidlisi’s Sharafnameh [Volume 11, Issue 38, 2016, Pages 48-60]
Shia ArtThe Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
Shir & ShekarThe Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
StuccoStuding of decorative characteristics of Kermanid artists stucco works in Ilkhanid until beginning of the Timurid Era [Volume 11, Issue 37, 2016, Pages 19-31]
SymbolAnalytical and Comparative Study of Bird motifs in Paintings of Flowers and Birds Lotfali Shirazi [Volume 11, Issue 39, 2016, Pages 60-75]
T
Tahmasp ShahnamehA Comparative Study of Visual Elements of "Jamshid's Court" and " Fereydoun's Court" Paintings in Tahmasp Shahnameh with Emphasis on Compositions of the Paintings [Volume 11, Issue 38, 2016, Pages 60-78]
Technical and Stylist AsymmetryScrutiny on Humanitarian relief of Apadana and three-Doors Palace at Persepolis to Technical and Stylist Asymmetry [Volume 11, Issue 37, 2016, Pages 4-17]
TehranA Survey on Harmony of Tehran's mural Color, Form and Theme with the Environment (With the approach of Gestalt psychology) [Volume 11, Issue 37, 2016, Pages 87-101]
The House of InjuThe illumination of “Tashi khatun’s Quran” [Volume 11, Issue 40, 2016, Pages 4-15]
ThuluthThe Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
TileThe origin of the motifs on Kubad Abad Palace’s tiles in Turkey with a comparative study of Iranian and Syrian works. [Volume 11, Issue 39, 2016, Pages 46-59]
Tiles of EntranceIdentification of Common Point of Entrance Massage of Seven Qajar Public Building through Discourse Analysis of Motifs [Volume 11, Issue 37, 2016, Pages 33-47]
TimuridThe Analysis of Blue Color Usage for "Majnun,s" Clothing in Persian Painting of Timurid and Safavid Periyods. [Volume 11, Issue 37, 2016, Pages 49-61]
TimuridComparative study of book coverse the timurid period and the mamluks of egypt in terms of design and motif [Volume 11, Issue 39, 2016, Pages 76-89]
V
Visual ElementsA Comparative Study of Visual Elements of "Jamshid's Court" and " Fereydoun's Court" Paintings in Tahmasp Shahnameh with Emphasis on Compositions of the Paintings [Volume 11, Issue 38, 2016, Pages 60-78]