Negareh Journal

Negareh Journal

Collaboration with Scientific Associations

 

 Facts & Figures 
 

Number of Volumes

 21
Number of Issues 77
Number of Articles 301
 Article View  1,100,598
 View Per Article 2045.72
 Number of Submissions 428
PDF Download Per Article 1,491,893
 Average time efficiency of the judging process 46
 Accept Date (Days) 78
   

Negareh

Negareh is an open‑access scholarly journal, freely available to all readers, and published quarterly since 2005 by Shahed University.

Adhering rigorously to publication ethics, Negareh follows the guidelines of the Committee on Publication Ethics (COPE) and the Executive Regulations of the Law on the Prevention and Confrontation of Academic Misconduct. All submitted manuscripts undergo originality and similarity checks via reputable platforms, including iThenticate, TIK, and Samim‑e‑Noor, prior to meticulous evaluation by expert peer reviewers. The journal employs a double‑blind peer review process, ensuring that the identities of both authors and reviewers remain undisclosed throughout the review cycle.

Negareh Journal publishes original scholarly research articles in all fields related to Visual Arts, encompassing Ancient, Islamic, and Contemporary Iran. Articles are published in Persian, accompanied by extended abstracts in English.

The journal aims to provide an academic platform for the dissemination of the latest scientific and research achievements of Iranian art scholars and to promote the visibility of these outcomes both nationally and internationally.

After a rigorous peer-review and evaluation process, Negareh Journal publishes high-quality papers electronically with particular emphasis on the following areas:

  • Iranian Visual Arts: Constituent Elements and Formal Characteristics
  • Study of Art Schools: Identification, Analysis, and Critical Examination of Artists’ Oeuvres in Iranian Visual Arts
  • Iranian Traditional, Craft, and Applied Arts
  • Iranian Folk and Vernacular Arts
  • Historiography of Visual Arts and Primary Written Sources in the Greater Iranian Cultural Sphere
  • Genealogy, Semiotics, and Iconography in Iranian Visual Arts
  • Perso-Islamic Miniature Painting and the Art of the Book (Kitab-ārā’ī)
  • Critical Theory and Analysis of Iranian Visual Arts
  • Comparative and Analytical Studies in Iranian Visual Arts
  • Evolution and Metamorphosis of Motifs, Ornamentation, and Coloration: From Antiquity to the Contemporary Era
  • Interdisciplinary Perspectives: The Nexus of Visual Arts with the Humanities and Social Sciences
  • Epigraphy, Ornamentation, and Allied Arts in Iranian Architecture
  • Archaeological Perspectives on Visual Arts: From Antiquity to the Islamic Era
  • Aesthetics and Philosophy of Iranian Visual Arts
  • Wisdom (Hikmah) and Mysticism ('Irfan) in Iranian-Islamic Art

*********************************************************************************

Since early 2021, Negareh has consistently been awarded Grade “A” by the Ministry of Science, Research and Technology’s Commission for Academic Journals. The journal also holds an Impact Factor (IF) indexed in the Islamic World Science & Technology Monitoring & Citation Institute (ISC), and is indexed in the Directory of Open Access Journals (DOAJ), Google Scholar & ASCI. In 2020, at the 21st Festival for the Recognition of Top Researchers and Technologists of Iran, Negareh was selected by the Ministry of Science, Research and Technology as the nation’s Top Journal in the fields of art and architecture.

*********************************************************************************

View the historical scientific ranking of Negareh Journal via the Ministry of Science, Research, and Technology (MSRT) Journals Portal

*********************************************************************************

In compliance with Regulation No. 40879 dated 14 May 2022 (24/02/1401 Solar Hijri) of the Ministry of Science, Research and Technology’s Commission for Academic Journals, Negareh charges an article processing charge. The full text of all published articles remains freely accessible to the public.

*********************************************************************************

Important Notice to Authors

  • Scope and Language: Negareh Journal accepts original Persian-language research papers that include a comprehensive Structured Extended Abstract in English.
  • Author Guidelines: Authors are requested to prepare their manuscripts in accordance with the journal’s most recent Instructions for Authors. For detailed manuscript preparation guidelines and submission criteria, please consult the [Instructions for Authors] section.

Key Journal Policies & Information

  • Peer Review Policy: Double-Blind Peer Review (authors and reviewers remain anonymous to each other throughout the review process).
  • Plagiarism Screening: To ensure academic integrity and prevent plagiarism, all submitted manuscripts are screened using the Irandoc Plagiarism Detection System (Tik).
  • Copyright & Moral Rights: Authors retain the moral rights and copyright of their published work.
  • Accepted Article Types: Original Research Articles.

Contact Editorial Office

For inquiries and communication with the Managing Editor, authors may contact us at:

📧 negarehj-art@shahed.ac.ir


Open Access Statement

Negareh Journal is an Open Access publication; all articles are freely and immediately available to the public upon publication.

Free access to the text of articles

 

Current Issue: Volume 22, Issue 79, Autumn 2026, Pages 5-346 

Keywords Cloud

  • Painting
  • Persian painting
  • Qajar
  • Safavid
  • Iran
  • Miniature
  • Islamic Art
  • Symbol
  • Illustration
  • Architecture
  • Iranian Painting
  • carpet
  • Qajar Era
  • Inscription
  • Calligraphy
  • Safavid era
  • Qajar period
  • Motifs
  • Pottery
  • Islamic Architecture
  • Decorations
  • Iconography
  • mural
  • composition
  • Quran
  • Traditional Arts
  • lithography
  • Typology
  • semiotics
  • Safavid period
  • color
  • Intertextuality
  • symbolism
  • Shiraz
  • Myth
  • Art
  • Contemporary Iranian Painting
  • Timurid
  • Shiraz School
  • Golestan Palace
  • Structure
  • Isfahan
  • Ashura
  • Islamic Period
  • Shiism
  • Aesthetics
  • Motif
  • Design
  • Iconology
  • India
  • literature
  • inscriptions
  • Photography
  • Seljuk
  • decorative motifs
  • Tiling
  • Ancient Iran
  • illumination
  • Sultan Mohammad
  • Metalwork
  • Contemporary
  • Herat school
  • Ilkhanid
  • Khorasan
  • Drawing
  • Form
  • constellations
  • Modernism
  • Achaemenid
  • Manuscripts
  • Architectural Decorations
  • Mythology
  • Islamic Era
  • Miniature Painting
  • Tahmasebi Shahnameh
  • Islam
  • Mahmoud Farshchian
  • portraiture
  • Nature
  • Icon
  • light
  • Tilework
  • Nishapur
  • Coffee House Painting
  • Culture
  • Sassanid Art
  • Seljuk Period
  • Tile
  • Shahnameh of Shah Tahmasp
  • Identity
  • Qajar Painting
  • Visual Features
  • relief
  • discourse analysis
  • Qajar Art
  • Stucco
  • Sculpture
  • Renaissance
  • geometric motifs
  • Bachelor of Handicrafts
  • Bourdieu
  • Frame
  • court iconography
  • Tombstone
  • Iranian art
  • tree
  • Figurative painting
  • Coffeehouse Painting
  • Wooden doors
  • Tradition
  • Mural Painting
  • structuralism
  • Persepolis
  • imagination
  • Astan Quds Razavi
  • Design and Pattern
  • Folk Art
  • Visual Perception
  • Pictorial Carpets
  • Decoration
  • Transtextuality
  • Hypertextuality
  • Archetype
  • Bird
  • Coomaraswamy
  • Tehran
  • Shia Art
  • Kamal al-din behzad
  • Tabriz School
  • Mashhad School
  • Time
  • Applied Arts
  • Religious Art
  • geometry
  • Comparative Study
  • Visual Arts
  • door
  • animal motifs
  • Patterns
  • Sociology of art
  • Manuscript
  • Reza Abbasi
  • Kufic inscription
  • Structural Elements
  • Designs
  • ancient
  • Parthian
  • Poetry
  • Holy Quran
  • Justice
  • Iran architecture
  • Resurrection
  • Iranian graphic design
  • china ceramic
  • Fantastic
  • Wooden Pulpit
  • Shrine of Imam Reza (AS)
  • animation
  • Iranian identity
  • writing
  • Islamic Revolution
  • Islamic mysticism
  • Visual Elements
  • Three poems by Khwaju Kermani
  • Qavarebori
  • Needlework
  • Visual structure
  • Lighting
  • Ilkhanate
  • Safavi era
  • pigment
  • Harpeys
  • Layout
  • epoch
  • mourning
  • Metalworking
  • Europe
  • Style
  • Persian art
  • tabriz
  • Architectural Decoration
  • Islamic calligraphy
  • Audience
  • Hell
  • Petroglyph
  • Miraj
  • space
  • Christianity
  • Perspective
  • Geometric Patterns
  • Islamic architecture of Iran
  • Arabesque
  • Content Analysis
  • visual qualities
  • horse
  • Religious Beliefs
  • Text and image
  • Opening pages
  • cultural policy
  • Semiology