Negareh Journal

Negareh Journal

 Facts & Figures 
 

Number of Volumes

 21
Number of Issues 77
Number of Articles 300
 Article View  1,100,598
 View Per Article 2045.72
 Number of Submissions 428
PDF Download Per Article 1,491,893
 Average time efficiency of the judging process 14
 Accept Date (Days) 70
 h.index 9

 

Negareh

Negareh is an open‑access scholarly journal, freely available to all readers, and published quarterly since 2005 by Shahed University.

Adhering rigorously to publication ethics, Negareh follows the guidelines of the Committee on Publication Ethics (COPE) and the Executive Regulations of the Law on the Prevention and Confrontation of Academic Misconduct. All submitted manuscripts undergo originality and similarity checks via reputable platforms, including iThenticateTIK, and Samim‑e‑Noor, prior to meticulous evaluation by expert peer reviewers. The journal employs a double‑blind peer review process, ensuring that the identities of both authors and reviewers remain undisclosed throughout the review cycle.

Negareh Journal publishes original scholarly research articles in all fields related to Visual Arts, encompassing AncientIslamic, and Contemporary Iran. Articles are published in Persian, accompanied by extended abstracts in English.

The journal aims to provide an academic platform for the dissemination of the latest scientific and research achievements of Iranian art scholars and to promote the visibility of these outcomes both nationally and internationally.

After a rigorous peer-review and evaluation process, Negareh Journal publishes high-quality papers electronically with particular emphasis on the following areas:

  • Contemporary Visual Arts of Iran
  • Iranian craft and Applied Arts
  • Iranian Pictorial Arts (Artworks, Artists and Schools, Techniques and Methods)
  • Pictorial Arts in Iranian Folk and Indigenous Traditions
  • Philosophy and Contemporary Theories of Art
  • Visual Arts in the Islamic Period
  • Evolution of Motifs, Ornamentation, and Colors from Ancient to Contemporary Iran
  • Traditional Arts of Iran
  • Islamic Wisdom and Art
  • Historiography of Iranian Art and Its Written Sources
  • Visual Arts: Their Elements and Characteristics

  • Contemporary Iranian Art

Since early 2021, Negareh has consistently been awarded Grade “A by the Ministry of Science, Research and Technology’s Commission for Academic Journals. The journal also holds an Impact Factor (IF) indexed in the Islamic World Science & Technology Monitoring & Citation Institute (ISC), and is indexed in the Directory of Open Access Journals (DOAJ) and Google Scholar. In 2020, at the 21st Festival for the Recognition of Top Researchers and Technologists of IranNegareh was selected by the Ministry of Science, Research and Technology as the nation’s Top Journal in the fields of art and architecture.

Note: Authors are requested to prepare their manuscripts in accordance with the journal’s most recent Instructions for Authors.

In compliance with Regulation No. 40879 dated 14 May 2022 (24/02/1401 Solar Hijri) of the Ministry of Science, Research and Technology’s Commission for Academic Journals, Negareh charges an article processing charge. The full text of all published articles remains freely accessible to the public.

Current Issue: Volume 21, Issue 78, Spring 2026, Pages 5-260 

Keywords Cloud

  • Painting
  • Persian painting
  • Qajar
  • Iran
  • Iranian Painting
  • Safavid
  • Islamic Art
  • Qajar Era
  • Symbol
  • Architecture
  • Safavid era
  • Miniature
  • Motifs
  • Illustration
  • Calligraphy
  • Inscription
  • Qajar period
  • Decorations
  • carpet
  • Pottery
  • Quran
  • Islamic Architecture
  • mural
  • Typology
  • Safavid period
  • Traditional Arts
  • lithography
  • symbolism
  • semiotics
  • Shiraz
  • composition
  • Timurid
  • Iconography
  • Myth
  • Contemporary Iranian Painting
  • Intertextuality
  • Structure
  • Aesthetics
  • Iconology
  • Shiism
  • Herat school
  • Shiraz School
  • constellations
  • Isfahan
  • illumination
  • India
  • Ashura
  • Golestan Palace
  • inscriptions
  • Tiling
  • Islamic Period
  • Metalwork
  • Sultan Mohammad
  • Motif
  • Khorasan
  • Ancient Iran
  • Coffee House Painting
  • Visual Features
  • Seljuk
  • Qajar Painting
  • discourse analysis
  • color
  • Seljuk Period
  • Photography
  • decorative motifs
  • Tahmasebi Shahnameh
  • Tilework
  • Design
  • Mythology
  • Architectural Decorations
  • Ilkhanid
  • Visual Arts
  • animal motifs
  • Reza Abbasi
  • Identity
  • Patterns
  • Poetry
  • Coomaraswamy
  • Designs
  • Culture
  • Transtextuality
  • Shahnameh of Shah Tahmasp
  • geometric motifs
  • Qajar Art
  • Bachelor of Handicrafts
  • Tombstone
  • Hypertextuality
  • Islam
  • Iranian art
  • Nature
  • court iconography
  • portraiture
  • Tradition
  • Form
  • Nishapur
  • Icon
  • Art
  • Mural Painting
  • Figurative painting
  • Folk Art
  • Bourdieu
  • Astan Quds Razavi
  • Wooden doors
  • Sassanid Art
  • Visual Perception
  • Decoration
  • Archetype
  • literature
  • Modernism
  • Achaemenid
  • Stucco
  • Tile
  • Pictorial Carpets
  • Kamal al-din behzad
  • Mashhad School
  • Applied Arts
  • Manuscripts
  • Sociology of art
  • door
  • Kufic inscription
  • Comparative Study
  • Parthian
  • Design and Pattern
  • Tehran
  • Gestalt
  • Shiite Art
  • meaning
  • Contemporary
  • Hero
  • Gilan
  • Gestalt theory
  • Qur\'an
  • Sassanid
  • Mulla Sadra
  • Armenian art
  • simile
  • Iranian architecture
  • Heaven
  • Preface
  • Roland Barthes
  • Drawing
  • Structural Elements
  • Nastaliq
  • Manuscript
  • Spirituality
  • Contemporary Art
  • Inlay
  • Injuid
  • Demon
  • Resurrection
  • Shrine of Imam Reza (AS)
  • Bahram Gur
  • Justice
  • Qavarebori
  • china ceramic
  • writing
  • Islamic Revolution
  • Wooden Pulpit
  • Iranian identity
  • Renaissance
  • Safavi era
  • Visual structure
  • tree
  • Three poems by Khwaju Kermani
  • Sculpture
  • Jami
  • pigment
  • Style
  • Layout
  • Metalworking
  • Miraj
  • Frame
  • Petroglyph
  • tabriz
  • Kamal al-din Bihzad
  • Arabesque
  • Perspective
  • Ilkhanid Period
  • Safavid dynasty
  • relief
  • Wall Painting
  • Geometric Patterns
  • Content Analysis
  • Coffeehouse Painting
  • binary opposition
  • Art Education
  • Semantics
  • Mythological Concepts
  • Miniature Painting
  • mourning
  • Poster
  • Eagle
  • Opening pages
  • Mahmoud Farshchian
  • Text and image
  • Grotesque
  • imagination
  • Visual Elements
  • Iranian Contemporary Art
  • Geometric Designs