نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشیار گروه نقاشی، دانشکدۀ هنر و معماری، دانشگاه تربیت مدرس، شهر تهران، استان تهران.
2 کارشناس‌ارشد نقاشی، دانشکدۀ هنر و معماری، دانشگاه تربیت مدرس، شهر تهران، استان تهران.
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
Iranian Moslem painters have observed the divinely world through the world beauties; aimed at finding out the worldly instances and understanding the eternal realities. These beliefs have affected the portraiture in Iranian traditional painting; therefore, despite of the western painting, the Iranian painting has been rarely served the creation of the iconography. Regarding the above mentioned points, the portraits in Iranian traditional painting are unique, while they have been painted based on specific patterns. This methodology led some researchers to a fault judgment; so that they have observed the portraits as similar and rigid ones. However, the Iranian traditional portraiture has been affected by different social factors .In this article, social development indicators, from the Sassanid to the Safavid era, has been studied and the major developments in portraiture has been analyzed. Iranian artists, in addition to applying traditional rules and patterns, they also experienced their own personal styles. Turning towards western art, made artists to ignore the traditional method of portraiture, as a result, this kind of art changed its direction towards realism. In this article the historic, descriptive and comparative methods have been used.
کلیدواژه‌ها [English]
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