A
-
Ajayib-nameh
Transtextual Reading of the Seven-Headed Sea Dragon with Emphasis on the Role of the Tannin in Islamic Ajayib-namehs [Volume 20, Issue 73, 2025, Pages 116-120]
-
Art University of Isfahan
A Comparative Study of Applying the Problem-Solving Based Teaching Method with the Typical Teaching Method in the Handicrafts Workshop 5 (Ceramics and Tile) [Volume 20, Issue 73, 2025, Pages 171-195]
B
-
Bachelor of Handicrafts
A Comparative Study of Applying the Problem-Solving Based Teaching Method with the Typical Teaching Method in the Handicrafts Workshop 5 (Ceramics and Tile) [Volume 20, Issue 73, 2025, Pages 171-195]
-
Book Illustration
The Study of Placement System of Women’s Figures in Persian Painting (Book Illustrations and Single Leaves) [Volume 20, Issue 73, 2025, Pages 96-115]
C
-
Calligraphy
Recognizing and Reading the Visual Components of Qalamdan Kiani in the Period of Naser al-Din Shah and Its Artist [Volume 20, Issue 73, 2025, Pages 63-87]
-
Ceramics and Tile
A Comparative Study of Applying the Problem-Solving Based Teaching Method with the Typical Teaching Method in the Handicrafts Workshop 5 (Ceramics and Tile) [Volume 20, Issue 73, 2025, Pages 171-195]
-
Contemporary Graphics of Iran in 1390s
Investigating the Discourse of Cultural Identity in the Typography of Iran's 90s Posters, Using Fairclough's Critical Discourse Approach and Kress and Lyons' Social Semiotics (Research Case: Online Museum of Graphic Designers of Iran) [Volume 20, Issue 73, 2025, Pages 151-170]
-
Contemporary Iranian Painting
Analyzing the Effects of Heavenly Nature in the Holy Qur'an and Its Reflection in the Works of Mahmoud Farshchian [Volume 20, Issue 73, 2025, Pages 5-20]
D
-
Decoration
Critique and Analysis of Decorative and Ornamental Components in Islamic Art from the Perspective of Oleg Grabar [Volume 20, Issue 73, 2025, Pages 41-55]
-
Dervish
Recognizing and Reading the Visual Components of Qalamdan Kiani in the Period of Naser al-Din Shah and Its Artist [Volume 20, Issue 73, 2025, Pages 63-87]
-
Dragon
Transtextual Reading of the Seven-Headed Sea Dragon with Emphasis on the Role of the Tannin in Islamic Ajayib-namehs [Volume 20, Issue 73, 2025, Pages 116-120]
F
-
Fairclough
Investigating the Discourse of Cultural Identity in the Typography of Iran's 90s Posters, Using Fairclough's Critical Discourse Approach and Kress and Lyons' Social Semiotics (Research Case: Online Museum of Graphic Designers of Iran) [Volume 20, Issue 73, 2025, Pages 151-170]
-
Funeral portraits
The Portrayal of the "Shaman’s" Role in Funeral Portraits of the Great Ilkhanid Shahnameh [Volume 20, Issue 73, 2025, Pages 121-135]
G
-
Ghahve Khane Painting
Reading the Two Poles of Metaphor and Metonymy in Ghahve Khane Paintings, Isfahan School Paintings and Saqa Khane Painting with Roman Jakobson's Semiotics Approach [Volume 20, Issue 73, 2025, Pages 185-201]
-
Great Ilkhanid Shahnameh
The Portrayal of the "Shaman’s" Role in Funeral Portraits of the Great Ilkhanid Shahnameh [Volume 20, Issue 73, 2025, Pages 121-135]
H
-
Handicrafts Workshop 5
A Comparative Study of Applying the Problem-Solving Based Teaching Method with the Typical Teaching Method in the Handicrafts Workshop 5 (Ceramics and Tile) [Volume 20, Issue 73, 2025, Pages 171-195]
-
Heavenly Nature
Analyzing the Effects of Heavenly Nature in the Holy Qur'an and Its Reflection in the Works of Mahmoud Farshchian [Volume 20, Issue 73, 2025, Pages 5-20]
-
Holy Qur’an
Analyzing the Effects of Heavenly Nature in the Holy Qur'an and Its Reflection in the Works of Mahmoud Farshchian [Volume 20, Issue 73, 2025, Pages 5-20]
I
-
Intertextuality
Reading and Analysis of the Elements of the Carpet Named “The Story of Majles-e Zulaikha and Yousef” Woven in Tehran based on Genette’s Theory of Transtextuality [Volume 20, Issue 73, 2025, Pages 81-95]
-
Isfahan School of Painting
Reading the Two Poles of Metaphor and Metonymy in Ghahve Khane Paintings, Isfahan School Paintings and Saqa Khane Painting with Roman Jakobson's Semiotics Approach [Volume 20, Issue 73, 2025, Pages 185-201]
-
Islamic Art
Critique and Analysis of Decorative and Ornamental Components in Islamic Art from the Perspective of Oleg Grabar [Volume 20, Issue 73, 2025, Pages 41-55]
J
-
Jakobson
Reading the Two Poles of Metaphor and Metonymy in Ghahve Khane Paintings, Isfahan School Paintings and Saqa Khane Painting with Roman Jakobson's Semiotics Approach [Volume 20, Issue 73, 2025, Pages 185-201]
-
John Dewey
A Comparative Study of Applying the Problem-Solving Based Teaching Method with the Typical Teaching Method in the Handicrafts Workshop 5 (Ceramics and Tile) [Volume 20, Issue 73, 2025, Pages 171-195]
M
-
Mahmoud Farshchian
Analyzing the Effects of Heavenly Nature in the Holy Qur'an and Its Reflection in the Works of Mahmoud Farshchian [Volume 20, Issue 73, 2025, Pages 5-20]
-
Metaphor and Metonymy
Reading the Two Poles of Metaphor and Metonymy in Ghahve Khane Paintings, Isfahan School Paintings and Saqa Khane Painting with Roman Jakobson's Semiotics Approach [Volume 20, Issue 73, 2025, Pages 185-201]
-
Mihrab design
The Recessed Arched Mihrab Design: An Identity Marker in the Formation of Art in the Zand Era [Volume 20, Issue 73, 2025, Pages 89-109]
-
Myth
Transtextual Reading of the Seven-Headed Sea Dragon with Emphasis on the Role of the Tannin in Islamic Ajayib-namehs [Volume 20, Issue 73, 2025, Pages 116-120]
N
-
Naser al-Din Shah
Recognizing and Reading the Visual Components of Qalamdan Kiani in the Period of Naser al-Din Shah and Its Artist [Volume 20, Issue 73, 2025, Pages 63-87]
-
Nature’s Effects
Analyzing the Effects of Heavenly Nature in the Holy Qur'an and Its Reflection in the Works of Mahmoud Farshchian [Volume 20, Issue 73, 2025, Pages 5-20]
P
-
Persian painting
The Study of Placement System of Women’s Figures in Persian Painting (Book Illustrations and Single Leaves) [Volume 20, Issue 73, 2025, Pages 96-115]
-
Persian Paintings (Miniature)
The Portrayal of the "Shaman’s" Role in Funeral Portraits of the Great Ilkhanid Shahnameh [Volume 20, Issue 73, 2025, Pages 121-135]
-
Poster
Investigating the Discourse of Cultural Identity in the Typography of Iran's 90s Posters, Using Fairclough's Critical Discourse Approach and Kress and Lyons' Social Semiotics (Research Case: Online Museum of Graphic Designers of Iran) [Volume 20, Issue 73, 2025, Pages 151-170]
-
Problem-Solving
A Comparative Study of Applying the Problem-Solving Based Teaching Method with the Typical Teaching Method in the Handicrafts Workshop 5 (Ceramics and Tile) [Volume 20, Issue 73, 2025, Pages 171-195]
Q
-
Qajar
Reading and Analysis of the Elements of the Carpet Named “The Story of Majles-e Zulaikha and Yousef” Woven in Tehran based on Genette’s Theory of Transtextuality [Volume 20, Issue 73, 2025, Pages 81-95]
-
Qajar
Recognizing and Reading the Visual Components of Qalamdan Kiani in the Period of Naser al-Din Shah and Its Artist [Volume 20, Issue 73, 2025, Pages 63-87]
-
Qajar period
Investigation of the Themes and Concepts of Good and Evil Visual Symbols in the Lithographic Printing Version of Toufan Al-Buka [Volume 20, Issue 73, 2025, Pages 25-45]
S
-
Saqa Khane Painting
Reading the Two Poles of Metaphor and Metonymy in Ghahve Khane Paintings, Isfahan School Paintings and Saqa Khane Painting with Roman Jakobson's Semiotics Approach [Volume 20, Issue 73, 2025, Pages 185-201]
-
Seven-Headed Dragon
Transtextual Reading of the Seven-Headed Sea Dragon with Emphasis on the Role of the Tannin in Islamic Ajayib-namehs [Volume 20, Issue 73, 2025, Pages 116-120]
-
Seyyed Mohammad
Recognizing and Reading the Visual Components of Qalamdan Kiani in the Period of Naser al-Din Shah and Its Artist [Volume 20, Issue 73, 2025, Pages 63-87]
-
Shaman
The Portrayal of the "Shaman’s" Role in Funeral Portraits of the Great Ilkhanid Shahnameh [Volume 20, Issue 73, 2025, Pages 121-135]
-
Shiraz
The Recessed Arched Mihrab Design: An Identity Marker in the Formation of Art in the Zand Era [Volume 20, Issue 73, 2025, Pages 89-109]
-
Single Leaf
The Study of Placement System of Women’s Figures in Persian Painting (Book Illustrations and Single Leaves) [Volume 20, Issue 73, 2025, Pages 96-115]
-
Social Semiotics
Investigating the Discourse of Cultural Identity in the Typography of Iran's 90s Posters, Using Fairclough's Critical Discourse Approach and Kress and Lyons' Social Semiotics (Research Case: Online Museum of Graphic Designers of Iran) [Volume 20, Issue 73, 2025, Pages 151-170]
T
-
Tannin
Transtextual Reading of the Seven-Headed Sea Dragon with Emphasis on the Role of the Tannin in Islamic Ajayib-namehs [Volume 20, Issue 73, 2025, Pages 116-120]
-
Teaching method
A Comparative Study of Applying the Problem-Solving Based Teaching Method with the Typical Teaching Method in the Handicrafts Workshop 5 (Ceramics and Tile) [Volume 20, Issue 73, 2025, Pages 171-195]
-
Toufan Al-Buka
Investigation of the Themes and Concepts of Good and Evil Visual Symbols in the Lithographic Printing Version of Toufan Al-Buka [Volume 20, Issue 73, 2025, Pages 25-45]
-
Transtextuality
Reading and Analysis of the Elements of the Carpet Named “The Story of Majles-e Zulaikha and Yousef” Woven in Tehran based on Genette’s Theory of Transtextuality [Volume 20, Issue 73, 2025, Pages 81-95]
-
Transtextuality
Transtextual Reading of the Seven-Headed Sea Dragon with Emphasis on the Role of the Tannin in Islamic Ajayib-namehs [Volume 20, Issue 73, 2025, Pages 116-120]
-
Turco-Mongolian culture
The Portrayal of the "Shaman’s" Role in Funeral Portraits of the Great Ilkhanid Shahnameh [Volume 20, Issue 73, 2025, Pages 121-135]
-
Typography
Investigating the Discourse of Cultural Identity in the Typography of Iran's 90s Posters, Using Fairclough's Critical Discourse Approach and Kress and Lyons' Social Semiotics (Research Case: Online Museum of Graphic Designers of Iran) [Volume 20, Issue 73, 2025, Pages 151-170]
V
-
Visual Arts
The Recessed Arched Mihrab Design: An Identity Marker in the Formation of Art in the Zand Era [Volume 20, Issue 73, 2025, Pages 89-109]
-
Visual structure
The Study of Placement System of Women’s Figures in Persian Painting (Book Illustrations and Single Leaves) [Volume 20, Issue 73, 2025, Pages 96-115]
-
Visual Symbols of Good and Evil
Investigation of the Themes and Concepts of Good and Evil Visual Symbols in the Lithographic Printing Version of Toufan Al-Buka [Volume 20, Issue 73, 2025, Pages 25-45]
W
-
Woman’s Figure
The Study of Placement System of Women’s Figures in Persian Painting (Book Illustrations and Single Leaves) [Volume 20, Issue 73, 2025, Pages 96-115]
Y
-
Yousef and Zulaikha
Reading and Analysis of the Elements of the Carpet Named “The Story of Majles-e Zulaikha and Yousef” Woven in Tehran based on Genette’s Theory of Transtextuality [Volume 20, Issue 73, 2025, Pages 81-95]
Z
-
Zand Period
The Recessed Arched Mihrab Design: An Identity Marker in the Formation of Art in the Zand Era [Volume 20, Issue 73, 2025, Pages 89-109]
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