Negareh Journal

Negareh Journal

The evolutien of letter design structuralism,position and evolution of kufic script in the great Qurans of first to fifth centuries and survey of it,sstracture

Document Type : Research Paper

Authors
1 M.A of graphic design, faculty of art, university of shahed, Tehran, Iran
2 Faculty member, faculty of art, university of shahed, Tehran, Iran
10.22070/negareh.2009.5167
Abstract
The first perfection of calligraphy in Islam was manifested in a script called ( kufic ) which
reached the apex of it,s beauty in the late second century . this was first applied by Arabs .
As it is clear from it,s name , this script belongs to kufah and was accepted as the only
suitable script for writing Quran.The most important and necessary research of academic
domain on kufic script is understanding the significance of letter structures . meanwhile ,
Quranic manuscripts are really important due to their significance in Islam . All af letter
structures . meanwhile , Quranic manuscripts are really important due to their significance
in Islam . All af these manuscripts which are available in the museums across the world
, have not been appreciated properly. The process in This survey is descriptive and
purpose is acquaintance with evolution kufic script and recognition of structure dominat
upon in this script .In this survey , in addition to the review of kufic script in the present
manuscripts , two principles have been considered for recognizing the letter structures :
1- The kufic script evolution in the Qurans of first to fifth century . 2- structural review of
the kufic script design in these centuries . To access these two principles, after recognizing
and collecting the kufic script examples in the existing Qurans in these five centuries
and after analyzing their letters , some examples of each century have been reviewed
in separate tables . then , based an the horizontal and vertical axis of each letter , one af
the examples has been evaluated . In the end , on account of its rhetorical capability in
its powerful and consolidated structure , this script has provided a kind of balance with
the background and this consolidation and rhetorical capability can be an appropriate
example for graphic designers of modern letters .
Keywords

آصف فکرت، محمد، خط کوفی، چاپ اول، کیان کتاب، تهران، ١٣٧٧.
پاک سرشت، مرتضی، خوشنویسی در خدمت کتابت قرآن مجید، چاپ اول، قدیانی، تهران، ١٣٧٩.
ایمانی، علی، سیر خط کوفی در ایران، چاپ اول، تهران، ١٣٨٤.
زمانی ناصر، موسی، پیدایش خط کوفی، چاپ اول، ناشر مؤلف، ١٣٨١.
سفادی یاسین، حمید، خوشنویسی اسلامی، مهناز شایسته فر، چاپ اول، انتشارات موسسه مطالعات هنر اسلامی، تهران ١٣٨١.
 فضائلی، حبیب الله، اطلس خط، نشر اصفهان، ١٣٦٢.
 لینگز، مارتین، هنر خط و تذهیب قرآنی، مهرداد قیومی بیدهندی، چاپ اول، گروس، تهران، ١٣٧٧.
 شیمل، آنه ماری، خوشنویسی و فرهنگ اسلامی، ترجمه اسد الله آزادی، آستان قدس رضوی، ١368.
Volume 4, Issue 12
Summer 2009
Pages 5-18

  • Receive Date 20 September 2009
  • Accept Date 23 November 2009
  • Publish Date 23 September 2009