A Research on Semantic Foundations of Frame in Pre-Islamic Art of Iran

Document Type : Research Paper

Authors

1 Corresponding author, Ph.D. student of Art Research, Art Faculty, Shahed University, Tehran, Iran.

2 Assistant professor, Art Faculty, Shahed University, Tehran, Iran.

3 Ph.D, Associate professor, tehran University Tehran, Iran.

4 Ph.D Assistant professor, Shahed University Tehran, Iran.

Abstract

Frame as an affective element in Iranian art is manifested in the oldest existing art works of Iran and in later periods, with various effects, has continued in Iranian art. The role of frame as a spiritual element in creating a safe sanctum and space far away from invasion of malignant forces, by protecting and maintaining due respect and sanctity of motifs, is remarkable. This paper seeks to answer the following question: what are the latent semantic foundations of frame in the pre-Islamic art of Iran? The purpose of this research is to investigate and identify the main components of the semantic foundations of frame in ancient Iranian art that in addition to the aesthetic aspect of frame, have given it meaning and function. This research uses fundamental theoretical methodology based on goal, descriptive- ­­analytical method, and library sources. Our findings indicate that the need for safe sanctum, security and safety, seeking refuge to good forces and preservation from evil forces, and the idea of reproducing worldly paradises as paradigms of heaven, could be considered as semantic foundations of frame in the pre-Islamic art of Iran.

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History

  • Receive Date: 26 October 2013
  • Revise Date: 10 June 2014
  • Accept Date: 17 July 2014

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