دانشگاه شاهد فصلنامه نگره 2676-7244 21 78 2026 07 01 Stylistic Analysis of the Waqf Quran of Imam Quli Khan at the Mausoleum of Allahverdi Khan معرفی و سبک‌شناسی قرآن وقفی امام‌قلی‌خان بر مزار الله‌وردی‌خان (نسخۀ شمارۀ 2139 کتابخانۀ آستان قدس رضوی) 28 43 5037 10.22070/negareh.2025.19777.3449 FA محمدصادق میرزاابوالقاسمی دانشیار، دانشکده هنر و معماری، دانشگاه شیراز، شیراز، ایران. 0000-0002-5865-7561 Journal Article 2025 07 14 Introduction: In the Astan Quds Razavi Library, there is a Quran manuscript that was endowed to the Mausoleum of Allahverdi Khan in Rabi' al-Thani 1023 AH. Allahverdi Khan, the governor of Fars during the reign of Shah Abbas I, died in 1022 AH and was buried in a portico he had built on the eastern side of the shrine of Imam Reza in Mashhad. The donor of this manuscript was his eldest son, Imam Quli Khan; therefore, the manuscript is referred to in this study as the “Waqf Quran of Imam Quli Khan.” The manuscript lacks both a colophon and a transcription date, while the waqf inscription appears to have been added later on the opening folio. In addition to its historical importance, the manuscript is notable for its codicological and artistic features and is regarded as one of the significant Quran manuscripts preserved in the Astan Quds Razavi Library. Despite its significance, the manuscript has not yet been the subject of an independent scholarly study. Only a single note placed among the folios records some of its characteristics. This handwritten leaf was probably a draft prepared by the library’s cataloguer. This article first discusses the mausoleum and portico of Allahverdi Khan in Astan Quds Razavi complex and then examines the historical background of the manuscript on the basis of marginal notes and related documentary evidence. Finally, the codicological and physical features of the manuscript are analyzed. The manuscript is preserved under catalogue number 2139 in the Astan Quds Razavi Library. Purposes & Questions: Based on a close and detailed examination of the manuscript, this study aims to identify the stylistic characteristics of the Quran and to determine its historical and geographical context of its production. Methods: The research method of this study is primarily historical; however, discussions related to the stylistic features of the Qur’an are carried out using a descriptive–analytical approach. The investigation is based on a close and meticulous examination of the manuscript and has proven particularly useful in the field of codicology. Data were collected through both library research and field observation. Since this article focuses on a single manuscript, attention has been given, as far as possible, to all components and structural elements of the Waqf Qur’an of Imam Quli Khan. For certain codicological features—such as paper dimensions, tables, motifs, and verse markers—measurement was limited to selected samples. These measurements were conducted while observing preservation precautions and only on intact sections of the manuscript. The method of analysis is qualitative. Findings & Results: The study shows that the Waqf Quran of Imam Quli Khan remained in the portico of Allahverdi Khan for recitation and preservation from the time of its endowment until 1315 SH, after which it was transferred to the Astan Quds Razavi Library. Marginal notes written on several folios of the manuscript confirm this history. Most of these notes belong to Mirza Fazlollah Rawzeh‑khan, the son of Akhund Mulla Yusuf Rawzeh‑khan. He refers to himself as a rawzeh‑khan (eulogy reciter) and the guardian (hafez) of Dar al‑Saʿadah, and introduces his father as the guardian of the area located at the foot of the blessed shrine.The main text of the manuscript is written in Naskh script, while its additions are executed in Thuluth, Tawqi, and Nastaliq scripts. In terms of codicological structure and manuscript compilation, the Quran closely resembles manuscripts produced in Shiraz during the Safavid period. Features such as the illuminated medallions of the first double-page frontispiece, the beginning of the Quranic text on the second double-page opening, and the inclusion of a Persian poetic horoscope at the conclusion of the manuscript reflect conventions associated with the Shiraz school of manuscript production. The illumination and page layout likewise conform to stylistic principles characteristic of Safavid Shiraz manuscripts. The manuscript can probably be attributed to workshops active in Shiraz between the second half of the tenth century AH and the early eleventh century AH. It was likely created in commercial workshops without a direct commission and later circulated in the manuscript market. Like many Shiraz manuscripts of this period, the Quran was produced anonymously and lacks a colophon. The waqf inscription on the opening folio further indicates that the manuscript was not originally commissioned by Imam Quli Khan. مقدمه: در کتابخانۀ آستان قدس رضوی نسخه‌ای از قرآن وجود دارد که در ربیع‌الثانی 1023ق بر مزار الله‌وردی‌خان وقف‌شده است. الله‌وردی‌خان بیگلربیگیِ فارس در دورۀ حکومت شاه‌عباس صفوی بود. او در سال 1022ق درگذشت و در رواقی که در سمت شرقی روضۀ امام رضا(ع) ساخته بود، دفن شد. واقف قرآن مذکور امام‌قلی‌خان، فرزند ارشد الله‌وردی‌خان، است. ازاین‌رو، در این مطالعه از آن با عنوان «قرآن وقفی امام‌قلی‌خان» یاد می‌شود. قرآن وقفی امام‌قلی‌خان رقم کاتب یا تاریخ کتابت ندارد. وقف‌نامۀ امام‌قلی‌خان نیز بر روی برگ سفید ابتدای قرآن، با خطی متفاوت و ناهماهنگ با ساختار کلی نسخه، افزوده‌شده است؛ ازاین‌رو، تاریخ آن نمی‌توان تاریخ دقیق کتابت نسخه دانست. این قرآن، افزون بر اهمیت تاریخی، ازنظر ویژگی‌های نسخه‌پردازی نیز شایان توجه است و از نسخه‌های ارزشمند کتابخانۀ آستان قدس رضوی به شمار می‌رود. بااین‌حال، تاکنون بررسی علمی مستقلی دربارۀ آن انجام نشده است. اهداف و سؤال‌ها: هدف این مقاله معرفی و سبک‌شناسی قرآن وقفی امام‌قلی‌خان است تا به این سؤال پاسخ داده شود که تولید این نسخه در کدام قلمرو تاریخی و جغرافیایی قرار می‌گیرد؟ ازاین‌رو، ضمن بررسی ابعاد تاریخی موضوع، ویژگی‌های نسخه‌شناختی قرآن نیز به‌دقت بررسی خواهد شد. این بررسی‌ها بر پایۀ مطالعۀ نزدیک قرآن انجام شده و با شواهد بیرونی تطبیق داده‌شده است. روش‌ها: در این پژوهش از روش تاریخی و توصیفی-تحلیلی استفاده‌شده است. گردآوری اطلاعات به شیوه‌های کتابخانه‌ای و میدانی انجام گرفته و داده‌ها با رویکرد کیفی تحلیل شده‌اند. یافته‌ها و نتایج: نتایج این پژوهش نشان می‌دهد که قرآن وقفی امام‌قلی‌خان از زمان وقف تا سال 1315ش در رواق الله‌وردی‌خان نگه‌داری و قرائت می‌شده و پس‌ از آن به کتابخانۀ آستان قدس رضوی منتقل شده است. این قرآن ازنظر شیوۀ تدوین و مؤلفه‌های تزئینی شباهت زیادی به نسخه‌های شیراز در دورۀ صفوی دارد و احتمالاً در نیمۀ دوم سدۀ دهم تا اوایل سدۀ یازدهم هجری قمری در شیراز تولیدشده است. هرچند این قرآن را امام‌قلی‌خان وقف کرده، اما بسیار بعید است که تولید این نسخه نیز به سفارش او بوده باشد.

https://negareh.shahed.ac.ir/article_5037_97af07a14cacba681feacf3012730892.pdf