Iconography of Prophet Muhammad ( pbuh ) in the Tilework of Houses in Shiraz
Effatolsadat
Afzaltousi
Associate professor of Art Faculty, Alzahra University, Tharn ,Iran
author
Ladan
Salahi
M.A.in Graphic design.
author
text
article
2017
per
Tiling is one of the ways of idealistic impression in traditional Iranian architecture ornaments. In Qajar era, architecture ornaments got a new effect by religious icons and themes. Tile designers in Qajar era have considered books of literature, history and religion, ancient traditions and Western styles as a source of inspiration for impression. Entrance portal, walls inside and outside of religious buildings and public and private places have been ornamented according to social and cultural use, with epic, religious, historical and mythological faces, figures and scenes. The purpose of this paper is to examine iconology of Prophet Muhammad in Shiraz houses in Naseri era. In old context of Shiraz, a number of houses have been identified by the Heritage Foundation of Fars province and National Heritage Organization of Iran, in which various architectural ornaments are seen including brick work, tile work, moldings, wall paintings, mirror work, painting on wood. The subjects of the works of epic stories are originated from Shahnameh, Quran stories and Iranian and foreigner historical characters, and iconology of Shia imams and Prophet Muhammad (pbuh). Many of these houses have been destroyed or their use has been changed .So, this study seeks to examine iconography of Prophet Muhammad in the buildings. Regarding the questions, what is the position of the images in historical trend of iconology in Iranian art? Is it following traditional painting or under the influence of West culture and art? The results showed; the works on the subject and visualization follow the tradition of iconography and works of fiction (khialiNegari), and on the procedure follow the common style of Qajar era. The study research methodology is descriptive-analytical and data collection method is library and field.
Negareh Journal
Shahed University
2676-7244
12
v.
41
no.
2017
5
15
https://negareh.shahed.ac.ir/article_484_5d164ae93efcaa097e64ae93c3212111.pdf
dx.doi.org/10.22070/negareh.2017.484
Retrieval of Identity layers in Qajar Era (case study: ceramics)
Mahmonir
Shirazi
Ph.D. Student, Art Research, Alzahra University, Tehran, Iran.
author
Ashrafosadat
Mousavilar
PH.D. Associan prof. Art Research Departman of Alzahra University.Iran.Tehran.
author
text
article
2017
per
The Concept of Identity in all cultures and countries depends on religion, ideology, political and social relations and history. The identity in Artwork has different layers and each layer depends on different aspects.so in artworks we can study this identity in different manner and each artwork might have several layers that one of them is stronger and obvious and the others are hidden. But all these identity hidden layers will influence on the artworks obvious identity layer. Art in Qajar Era is one of the effective art periods in Iran according to social and political matters and Archaism and also widespread relations with the west has different aspects so we can find several identity layers in this Era and its artworks. The questions are: - What are identity layers in Qajar Era art? - Which identity layers appeared more than other layers in Qajar ceramics? The results show that there are four identity layers: ancient Iran, Persian Islamic, Imitation of the West and Islamic manner in Qajar Era and in each type of artworks,some layers have more importance. The research method is descriptive-analytical, based on library sources. Statistical population includes 10 examples of ceramics in Qajar Era using selective procedure.
Negareh Journal
Shahed University
2676-7244
12
v.
41
no.
2017
17
29
https://negareh.shahed.ac.ir/article_483_52e385242d6a63aeb86023fe869a8c3b.pdf
dx.doi.org/10.22070/negareh.2017.483
A Search about the Fields of the Handicrafts Study in the Past Texts in Islamic Period of Iran
Abdolkarim
Attarzadeh
دانشگاه سوره عضوهیأت علمی
author
text
article
2017
per
Handicrafts and Traditional Arts has a Long History and Nowadays is the Most Important Discussions in the History of Iran. Attention to Wake and Personality has Redound that is Done Wide Studies and Searches about Them. Some Past Texts are Proceed to Handicrafts Particular, and Many Texts are Proceed to Handicrafts Variant Styles for Their Explanation, Description, Realizable and Resolution. In This Article is Uses of Library Studies Style. The Study of Past Texts is Very Important for Research in the Field of Handicrafts and History of Traditional Arts. These Important Subjects Consist: Recognition of Past Handicrafts and Traditional Arts, Research in the Art Names of Past, the Culture of Correlate to Past Handicrafts and Traditional Arts, Culmination and Prosper, or Infirmity in trade of Handicrafts and Traditional Arts in the Past Time, Taxonomy and Order of Handicrafts of Past for the Better Study, to Emendate Verbal Worlds of Handicrafts, and etc.
Negareh Journal
Shahed University
2676-7244
12
v.
41
no.
2017
31
41
https://negareh.shahed.ac.ir/article_485_40fa4191e3c64f7594764ca3713285ef.pdf
dx.doi.org/10.22070/negareh.2017.485
Fundamentals of IRIB Channels Websites page layout structure "by Case Study of IRIB TV1 Channel Websites
masomh
zohrehvandi
teacher
author
Nezamuddin
Emami Far
assoaite master and member of board of science of Art faculty/ Shahed Unversity
author
text
article
2017
per
Websites, are considered as one of the message tools with unique properties on modern communications. For this purpose, taking into consideration of page layout and graphical value or structure, influences on making better relationship. The research objective is to determine what patterns are followed by IRIB TV Channels web pages structure, to introduce TV Channels websites and their graphical properties and develop art knowledge development in the field of design of the websites. The research method is descriptive-analytical method. The statistical universe includes 21 samples of IRIB Channels webs homepage and the samples were selected electively. In this research, case study of IRIB TV1 Channel is taken into consideration. Therefore, initially, substitution of separated elements by collecting the images from these websites and using computer and finally their relationships and configuration of effect for awareness of production mode and web pages functions and understanding of specialty concepts of work result. This research attempts to answer the two following questions: What properties do graphical structures of IRIB TV Channels Webs have? What are the differences of IRIB TV Channels Webs with each other in terms of graphical structure (model)? This research shows that IRIB TV Channels have more used elements of "Image" and "Color Surfaces" in their structures and most structure of IRIB TV Channels Webs is based on golden ratio (about 57.1%). IRIB TV Channels Webs contain long and busy homepage which should be recovered and changed to access the pages with proper configuration , site activity and attractive page layout for attraction of more user.
Negareh Journal
Shahed University
2676-7244
12
v.
41
no.
2017
42
53
https://negareh.shahed.ac.ir/article_486_eb8c45052813d7865456e3dd12925b46.pdf
dx.doi.org/10.22070/negareh.2017.486
Typology of Rural Home Decorations of Esfahan in Qajarid Era
Hassan
Karimian
Reader in Department of Archaeology, University of Tehran
author
abasali
ahmadi
استادیاد دانشگاه دولتی شهرکرد
author
text
article
2017
per
Wall surfaces can undoubtedly be considered the most available representations of people’s thoughts in the past, which is why wall murals and other decorations in monuments are regarded as unique cultural pieces of evidence of past eras. This analytical- descriptive article aimed at studying Qajarid home decoration patterns which were identified in rural areas around Esfahan. This research also intends to answer the following questions: What are the decoration types of rural houses in Qajarid era and what concepts do they reflect? Since many rural monuments of Qajarid era are deserted and their decorations are prone to destruction, their introduction, typology and content analysis can draw authorities’ attention and consequently help preserve them as cultural pieces of evidence. The results of this study indicate that home decorations of rural areas around Esfahan depend on many factors including residents’ beliefs, cultural features, social status, budget, and how they made their living. Although folk and native art, like decorations of rural houses may not be of high visual and artistic quality, they proved to be beneficial in the study of cultural atmosphere of rural areas around Esfahan in Qajarid era.
Negareh Journal
Shahed University
2676-7244
12
v.
41
no.
2017
67
79
https://negareh.shahed.ac.ir/article_487_24b51f4284f9db9092bf64c5889ea9e4.pdf
dx.doi.org/10.22070/negareh.2017.487
Strategy of Analogical reasoning in formation of Schema in sculpture
علیرضا
اصفهانی زاده
هیات علمی دانشگاه هنر تهران
author
منصور
حسامی
عضو هیات علمی دانشگاه الزهرا
author
سودابه
صالحی
استادیار گروه گرافیک،دانشکده تجسمی، دانشگاه هنر تهران
author
text
article
2017
per
AbstractSculptors are known as the drawing the base of success in shaping a work of art and it has been found its particular place by experience. But usually have less desire to speech about it. Using this description, the behavior of professional artists for design is a kind of "Heuristic research". They have special attention to video sources, delves deeply in images and interested in taking image notes and finally benefit for the scheme of statue from it. Attention to this “Heuristic research” and its analysis, as a traditional process has effect on innovative stage of the design which is "schema". It has also effect on problem solving methods based on analogical reasoning.This paper in the meant while of attention to theoretical foundations of analogical reasoning, study on inductive problem solving process in relation to the formation of the schemes. In one test, application of analogical reasoning in formation of a pilot scheme was studied, using a pretest-posttest control group and the experimental group.The data were collected using the performance measurement and ranking of the results through performance measurement and layout of the students by a highly qualified jury. The results showed that, compared visual and analogical reasoning leads to shaping the development of schemes to facilitate the students to improve the value of innovative schemes.
Negareh Journal
Shahed University
2676-7244
12
v.
41
no.
2017
64
76
https://negareh.shahed.ac.ir/article_396_8b2ed73c0cd810a3a61bb47924965cbc.pdf
dx.doi.org/10.22070/negareh.2017.396
Analysis of the inscriptions as advertising media in Persian architecture
Aleme
Taghizade
master visual communication, Islamic Azad University Yazd Branch Art and Architectural Faculty
author
javad
AliMohammadi Ardakani
Assistant Professor of Painting Faculty of Arts Science and Culture, Tehran, Tehran
author
text
article
2017
per
This study seeks to analyze the inscriptions as advertising media in Persian architecture. The purpose of the study, analysis and recognition of the importance of inscriptions finally signifying the place as advertising media, visual identification paper capacity usage of the media analysis inscriptions architecture Iran architecture. In order to study these questions arise: the writing (inscriptions) in Iranian architecture How have you been? In what way can this art concepts and transferring information to be used as an advertising medium? Art as a medium inscriptions in Iranian architecture is it important? The present study sought to answer this question would be. Analytical methodology and data collection through library and documents. The study population included all architectural scrolls from Iran and selective sampling method and as qualitative data analysis are discussed. And during the investigation it was concluded that impressions are important historical information lies in the storage and transfer of information, thoughts and ideas as an advertising medium and the messenger plays an important role. There scrolls accordance with the terms of bio-architecture reflects the social conditions and religious and cultural community as well as the time of writing them a decisive role in the field of cultural and religious propaganda society.
Negareh Journal
Shahed University
2676-7244
12
v.
41
no.
2017
80
93
https://negareh.shahed.ac.ir/article_494_23862de34c85dacb9dfee35f3925ecdc.pdf
dx.doi.org/10.22070/negareh.2017.494
The Study of the Similarities and Differences of fabrics in Safavid and Ottoman Era
Maryam
Monesi Sorkheh
Assistant Professor, Art faculty, Alzahra University, Tehran
author
sara
hosseinzadeh gheshlaghi
G of clothing and textile design, Art faculty, University of Science and Culture, Tehran.
author
text
article
2017
per
Artists’ beliefs and thoughts always have been reflected in artistic works. Of these, Safavi fabric-weaving in Iran from 10 to 12 century of Islamic Calendar (Hijri) and also Ottoman fabric-weaving in its neighborhood, during such an era, have a wide range of motif, color, texture, and specific combination along with great significance. There are 4 kinds of styles in Safavi fabrics and 5 kinds of style in Ottoman fabrics. This research aims to discuss comparatively mentioned factors on Iranian and Ottoman fabrics. The main questions of this research are to discuss the similarities and differences aspects of Safavi and Ottoman fabrics. Moreover, it is analyzed the effect of motifs and colors of Safavi fabrics on Ottoman ones, which are possible after understanding characteristics of fabrics. Generally, specific cultural and political relationships and conditions between these two nations are among the reasons of such artistic effectiveness, also Iranian artists existing in Ottoman courts prove the case. Research findings show that Safavi fabric-weaving influenced Ottoman one and differences have been observed. It is determined significantly that according to written documents, by now, it was believed that the lack of using animal motifs was due to Ottomans; while here showing fabrics patterned by the picture of deer, dove, and peacock is in contradiction with the case. The red color is used on all fabrics. A limited number of colors used in ottoman fabrics. Safavi more color variation in textiles. The research method is descriptive analysis with adaptive approach. In formation is collected through Library.
Negareh Journal
Shahed University
2676-7244
12
v.
41
no.
2017
95
111
https://negareh.shahed.ac.ir/article_495_0229eaf99bd29406a2322db2b406d936.pdf
dx.doi.org/10.22070/negareh.2017.495
Title: Reflection of constellations motifs on Islamic pottery of Iran until safavid period in compliance with old version of the book of SOVAROLKAVAKIB
seyed hashem
hoseiny
هیات علمی دانشگاه هنر اصفهان
author
text
article
2017
per
Designs over Islamic pottery are among the most beautiful and yet so full of mystery decorative motifs of Islamic art that represent various aspects of past people's lives. Interpretation of Meanings and Concepts behind these seemingly ordinary motifs requires knowledge from various sources that influence their use, including mysticism, astronomy, literature, etc. The important point in the interpretation of these motifs is attention to the lack of purely decorative or aesthetic use of motifs. The present study is an attempt to establish a connection with some of these beautiful designs and decipher their meaning. As we know astronomy had importance for various religious and nonreligious reasons in the Islamic period and obviously potters couldn't ignore that for attracting more customers and were encouraged to applicate astronomical signs. Obviously identification of different kinds of theses motifs can show us condition and amount of relation between pottery art with other life aspects of people especially scientific or even superstition. In this way main decorative characteristics and most important factors of application and concepts of astronomical motifs especially individual constellations in many of typical potteries with these motifs from early Islamic period until Safavid period, has discussed and analyzed. Research Method for achieving these aims is a combination of historical, descriptive and comparative methods. In firt step, typical examples of Islamic pottery wares with constellations motifs has been selected from different books or museums and after detecting their period of making and method of decoration, their astronomical concepts have compared with astronomical designs of book of Sovar Alkavakib Alsufi. Towards the important findings of the research, constellations motifs over the Islamic potteries aren’t completely similar to constellations examples of astronomy books. Also animal and human symbols of asterism especially female kind in human symbols had more application toward to its further decorative nature.
Negareh Journal
Shahed University
2676-7244
12
v.
41
no.
2017
112
125
https://negareh.shahed.ac.ir/article_496_b7938f90d5e4d3a9b327846050295b1e.pdf
dx.doi.org/10.22070/negareh.2017.496
Pathology mural restoration process in terms of originality and identity in Isfahan Ali Qapu Palace and Chehel
Habibollah
Sadeghi
Assistant Professor, Faculty of Art, Shahed University, Tehran,Iran
author
Shahriar
Allhyari Charmahin
M.A.in Illustration, Faculty of Art, Shahed University, Tehran,Iran
author
text
article
2017
per
One of the lasting legacies of the mural is the work of every nation in our country there are also a number of these works. Responsible for protection of these works is the people and the government. This article aims to examine the graffiti damage to the Safavid period in Isfahan In terms of painting and visual arts, is looking for agents that cause the most harm to "the authenticity of the painting" The course is in the House. . This descriptive study and through comparative analysis and field observations and interviews with teachers and destroyed, the issue of restoration and originality of graffiti in Qapu Palace and Chehel paid. The authors in this study show that However, human factors, political and even Safavid period after the injury affected And while the repair was carried out with different methods and with the intention of healing and protection , But the restoration of non-normative, has been effective in further damage to the image. Also, in the samples in the House, the authenticity of the paintings in the palace of Chehel more have been threatened.
Negareh Journal
Shahed University
2676-7244
12
v.
41
no.
2017
126
137
https://negareh.shahed.ac.ir/article_515_71bce8ceed266aac68e72a58d79f123e.pdf
dx.doi.org/10.22070/negareh.2017.515